Modern Foreign Languages Faculty Work
Title
The Temptation of the Material in Jean Lorrain’s Fairy Tales: ‘La Princesse sous verre’ and ‘La Princesse Neigefleur’
Document Type
Article
Publication Date
2017
Publication Title
Dix-Neuf
Volume Number
21
Issue Number
2-3
DOI
10.1080/14787318.2017.1386883
Abstract
The glass coffin, a central motif in ‘La Princesse Neigefleur’ and ‘La Princesse sous Verre,’ underpins the relationship of Lorrain’s decadent fairy tales to their sources in Perrault and Grimm. This magical element is reserved for the female object of desire in Snow White and Sleeping-Beauty type tales, models which the decadent author emulates. Lorrain’s stories, however, develop in the ellipses of the well-known narratives. His elaboration on the texts amplifies them without propelling them forward, investing them instead with a wealth of material detail. The glass coffin becomes an ornate reliquary serving as mise en abyme for the fairy tale genre. The author encases his sources in another text, which appeals to the decadent sensibility through decoration, materiality, and idiosyncratic imagery. Constituting Lorrain’s original contribution to the genre, this renders the fairy tale a ‘matter pool’ showcasing the porosity of the literary text to its material subjects.
ISSN
1478-7318
First Page
178
Last Page
191
Recommended Citation
Oancea, Ana, "The Temptation of the Material in Jean Lorrain’s Fairy Tales: ‘La Princesse sous verre’ and ‘La Princesse Neigefleur’" (2017). Modern Foreign Languages Faculty Work. 96.
https://digitalcommons.owu.edu/mfl_pubs/96
Link Out URL
https://doi.org/10.1080/14787318.2017.1386883