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Social Justice in Spanish Golden Age Theatre
Glenda Y. Nieto-Cuebas, Erin A. Cowling, Tania de Miguel Magro, and Mina García Jordán
This collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners' point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas.
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Agencia, Historia y Empoderamiento Femenino
Eva Paris-Huesca, Diane Marting, and Yamile Silva
Collection edited by Eva Paris-Huesca, Diane Marting, and Yamile Silva
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De Caña de Maíz y Miel: 12 Haikus de Ohio / On Cornstalks and Honey: 12 Ohio Haiku
Juan Armando Rojas and Jennifer Rathbun
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Virgil, Aeneid 8: Text, Translation, and Commentary
Virgil, Lee M. Fratantuono, and R. Alden Smith
This volume provides the first full-scale commentary on the eighth book of Virgil's Aeneid, the book in which the poet presents the unforgettable tour of the site of the future Rome that the Arcadian Evander provides for his Trojan guest Aeneas, as well as the glorious apparition and bestowal of the mystical, magical shield of Vulcan on which the great events of the future Roman history are presented - culminating in the Battle of Actium and the victory of Octavian over the forces of Antony and Cleopatra. A critical text based on a fresh examination of the manuscript tradition is accompanied by a prose translation.
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Lucullus: The Life and Campaigns of a Roman Conqueror
Lee M. Fratantuono
The military achievements of Lucius Licinius Lucullus (118-57/56 B.C.) have been the subject of admiration and great respect throughout the history of the study of warfare. Yet there have been few studies dedicated to a comprehensive examination of exactly how Lucullus conquered the Roman East and made it a more or less cohesive part of the empire. Lee Frantantuono considers every aspect of Lucullus life, starting with the training and education of a future Roman officer, but the greatest emphasis is on his military strategy and tactics during the Third Mithridatic War and his military adventures in Armenia. His most famous achievement was his victory against immense odds at the land battle of Tigranocerta. We are also reminded that he one of the most formidable naval strategists of the Roman Republic. Lucullus complicated relationship with Sulla and Crassus is explored and the study concludes with the retirement of the man Pliny the Elder memorably referred to as 'Xerxes in a Toga', a patron of the arts and master of a life of horticulture and reflection.
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The Ancient Emotion of Disgust
Donald Lateiner and Demos Spatharas
The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. This collection of seventeen essays by fifteen authors features the emotion of disgust as one cutting edge of the study of Greek and Roman antiquity. Individual contributions explore a wide range of topics. These include the semantics of the emotion both in Greek and Latin literature, its social uses as a means of marginalizing individuals or groups of individuals, such as politicians judged deviant or witches, its role in determining aesthetic judgments, and its potentialities as an elicitor of aesthetic pleasure. The papers also discuss the vocabulary and uses of disgust in life (Galli, actors, witches, homosexuals) and in many literary genres: ancient theater, oratory, satire, poetry, medicine, historiography, Hellenistic didactic and fable, and the Roman novel. The Introduction addresses key methodological issues concerning the nature of the emotion, its cognitive structure, and modern approaches to it. It also outlines the differences between ancient and modern disgust and emphasizes the appropriateness of "projective or second-level disgust" (vilification) as a means of marginalizing unwanted types of behavior and stigmatizing morally condemnable categories of individuals. The volume is addressed first to scholars who work in the field of classics, but, since texts involving disgust also exhibit significant cultural variation, the essays will attract the attention of scholars who work in a wide spectrum of disciplines, including history, social psychology, philosophy, anthropology, comparative literature, and cross-cultural studies.
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Tacitus: Annals XVI
Tacitus and Lee M. Fratantuono
Book XVI of Tacitus' Annals is the last of the surviving books of the great Roman historian's monumental account of the reigns of the emperors from Tiberius to Nero. The unfinished book offers a stunning portrait of Nero in his last years, a man now free of the restraining influences of his mother Agrippina and tutor Seneca. Annals XVI presents such unforgettable scenes as the spectacle of Petronius' suicide, and the mad quest of Nero to find the gold of the Carthaginian queen Dido.This edition provides a commentary to the entire book, with notes carefully aimed at first-time readers of Tacitus as well as more advanced students. An introduction provides a guide to what we know of Tacitus' life and work, as well as to the reign of Nero and Tacitus' depiction of an empire in transition, of a Rome teetering on the verge of chaos and collapse. A full vocabulary at the end of the volume is a vital resource for students preparing this text for class work or assessment.
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The Battle of Actium 31 BC: War for the World
Lee M. Fratantuono
A good argument could be made that the Battle of Actium was the most significant military engagement in Roman history. On a bright September day, the naval forces of Octavian clashed with those of Antony and Cleopatra off the coast of western Greece. The victory Octavian enjoyed that day set the state for forty-four years of what would come to be known as the Augustan Peace, and was in no small way the dawn of the Roman Empire.Yet, despite its significance, what exactly happened at Actium has been a mystery, despite significant labors and effort on the part of many classicists and military historians both amateur and professional. Professor Lee Fratantuono re-examines the ancient evidence and presents a compelling and solidly documented account of what took place in the waters off the promontory of Leucas in late August and early September of 31 B.C.
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A Reading of Lucretius’ De Rerum Natura Lanham
Lee M. Fratantuono
Lucretius' philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius' De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius' epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas. -- Provided by publisher
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Ovid, Metamorphoses X
Ovid and Lee M. Fratantuono
Metamorphoses is an epic-style, narrative poem written in hexameters. Original, inventive and charming, the poem tells the stories of myths featuring transformations, from the creation of the universe to the death and deification of Julius Caesar. Book X contains some of Ovid's most memorable stories- Orpheus and Eurydice, Pygmalion, Atalanta and Hippomenes (with the race for the golden apples), Venus and Adonis, and Myrrha. This edition contains the Latin text as well as in-depth commentary notes which provide language support, explain difficult words and phrases, highlight literary features and supply background knowledge. The introduction presents an overview of Ovid and the historical and literary context, as well as a plot synopsis and a discussion of the literary genre and metre. Suggested reading is also included.
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Roman Literature, Gender, and Reception: Domina illustris
Donald Lateiner, Barbara Gold, and Judith Perkins
This cutting-edge collection of essays offers provocative studies of ancient history, literature, gender identifications and roles, and subsequent interpretations of the republican and imperial Roman past. The prose and poetry of Cicero and Petronius, Lucretius, Virgil, and Ovid receive fresh interpretations; pagan and Christian texts are re-examined from feminist and imaginative perspectives; genres of epic, didactic, and tragedy are re-examined; and subsequent uses and re-uses of the ancient heritage are probed with new attention: Shakespeare, Nineteenth Century American theater, and contemporary productions involving prisoners and veterans. Comprising nineteen essays collectively honoring the feminist Classical scholar Judith Hallett, this book will interest the Classical scholar, the ancient historian, the student of Reception Studies, and feminists interested in all periods. The authors from the United States, Britain, France and Switzerland are authorities in one or more of these fields and chapters range from the late Republic to the late Empire to the present.
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![Sangre mía [Blood of Mine]: poesía de la frontera : violencia, género e identidad en Ciudad Juárez by Juan Armando Rojas and Jennifer Rathbun](https://digitalcommons.owu.edu/mfl_books/1012/thumbnail.jpg "Sangre mía [Blood of Mine]: poesía de la frontera : violencia, género e identidad en Ciudad Juárez by Juan Armando Rojas and Jennifer Rathbun")
Sangre mía [Blood of Mine]: poesía de la frontera : violencia, género e identidad en Ciudad Juárez
Juan Armando Rojas and Jennifer Rathbun
Edited, translated by Jennifer Rathbun
Introduction by Jennifer Rathbun
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Madness Triumphant: A Reading of Lucan's “Pharsalia”
Lee M. Fratantuono
Madness Triumphant: A Reading of Lucan's Pharsalia offers the most detailed and comprehensive analysis of Lucan's epic poem of the civil war between Caesar and Pompey to have appeared in English. In the manner of his previous books on Virgil and Ovid, Professor Fratantuono considers the Pharsalia as an epic investigation of the nature of fury and madness in Rome, this time during the increasing insanity of Nero's reign. The volume proceeds chapter by chapter, book by book through Lucan's poem, as it unfolds the thesis that the poet Lucan crafted an epic response to both Virgil and Ovid, the closing movement in a three act tragedy of madness. In response to the Aeneid, Lucan raises the idea that the final ethnographic settlement of Trojans and Italians may not have been for the best, while in response to the Metamorphoses, he explores the idea that the immortality achieved by the poet may not, after all, prove to be a blessing. An introduction and bibliography provide additional direction for the study of this greatest surviving work of literature from the so-called Silver Age of Neronian literature, while the individual chapters offer in-depth bibliographical citations and extensive annotation as a guide to further study of the poem. Lucan's poem is revealed to be the consummate hymn to fury, as the poet offers a return to the opening of Homer's Iliad and the wrath of Achilles, which is now viewed as part of an unending cycle of madness that will end only in the flames of a global conflagration that will consume all things. The pervasive intertext of Lucan's epic poem with his predecessor Manilius' Astronomica is also investigated, as the nature of Lucan's response to both Stoic and Epicurean antecedents is explored. Manilius' stars are virtually sprinkled through the Pharsalia, as the heavens offer a celestial canvas for the poet of fury to illustrate the beautiful lies that may ultimately be shown to conceal even more seductive truths.
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Thucydides and Herodotus
Donald Lateiner and Edith Foster
This edited collection looks at two of the most important ancient Greek historians living in the 5th Century BCE who are considered to be the founders of the western tradition of historiography. Thucydides and Herodotus examines the relevant relationship between these historians which isconsidered, especially nowadays, by historians and philologists to be more significant than previously realized. The volume includes an introduction by the editors which addresses our changing view of how the historians relate to one another, and twelve papers written by leading experts in the field of ancient history and philology. Nine of the papers discuss either comprehensive issues pertaining to thehistorians' relationship or their common themes and practices, while three further papers discuss the ancient reception of Herodotus and Thucydides and investigate the historians' debt to Homer.
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Madness Transformed: A Reading of Ovid's Metamorphoses
Lee M. Fratantuono
Madness Transformed: A Reading of Ovid's Metamorphoses is a detailed critical examination of a masterpiece of Augustan Latin epic poetry. In the manner of Lee Fratantuono's previous volume, Madness Unchained: A Reading of Virgil's Aeneid, this sequel seeks to explicate Ovid's magnum opus by moving scene by scene through the entire work. Through a close study of Ovid's limpid dactylic hexameters, Fratantuono demonstrates the way in which the Metamorphoses stands forth as a bold answer to the Aeneid as another epic consideration of the enigma that was the Augustan principate, with a vision of Roman history (and literature) that both responds to and challenges Virgil. Much of what Virgil left enigmatic and ambiguous is addressed more directly by Ovid, who, unlike his epic predecessor, suffered rather than prospered under the Augustan regime. Madness Transformed considers each tale of wondrous metamorphosis and ironic commentary as it seeks to provide a coherent reading of what might appear a most incoherent poem. Fratantuono carefully examines and critiques secondary scholarship on the Metamorphoses, but the primary method for this journey through Ovid is a close reading of what Ovid the epic poet (and Roman historian) actually says. Fratantuono pays special attention to the sources for Ovid's myths and the Nachleben of Ovid's great achievement, especially in medieval and Renaissance France. These considerations will prove valuable to any reader of classical literature and Roman history from novice to expert. An annotated bibliography provides a guide to further reading on the poem, while the introduction offers a foundation for this study: Ovid as reader of Virgil, in the aftermath of some of the more momentous turning points of Augustus' reign. The madness that was unchained in Virgil, destined to haunt Rome forever, is now revealed by Ovid to have been transformed, as Rome moves definitively from Republic to Empire.
In addition to work created by faculty of the Department of World Languages, this collection includes work created under the auspices of the Department of Classics and the Department of Modern Foreign Languages, which consolidated following the 2020-2021 academic year.
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